How To Get Away With Murder Go Cry Somewhere Else Review
Building on the best narrative choices of this season’s previous episodes, last night’s show deals primarily with one member of the Keating Five’s reaction to their friends’ untimely death and the subsequent, politically-motivated investigation into it by the district attorney’s office. That member, of course, is Laurel (Karla Souza), whom the program seems to have made a concerted effort to elevate from the secondary role she was relegated to for the first two seasons. Not only does she get in a heartfelt moment where she breaks down at Wes’ memorial service and calls out the figurative vultures who have come to gawk, but her efforts to ease her grief unintentionally lead to a shocking discovery: the body identified by the DA’s office isn’t Wes.
This is incredible enough on its own (we have seen Wes’ partly burnt body several times already, so it’s unlikely that he’s faking his death), but a look into the matter by ADAs’ Denver (Benito Martinez) and Atwood (Milauna Jackson) uncovers something even more incendiary. At some point after the fire that consumed Annalise’s (Viola Davis) house, Nate (Billy Brown) requested that the body be transferred, presumably to cover his culpability for Wes’ murder.
Not helping the former cop’s case is a flashback that shows him at Annalise’s home right before the fire, looking for her before encountering Wes. Is this incontrovertible evidence that Nate, not Frank (Charlie Weber), killed him? We’ll have to wait and see on next week’s episode of How to Get Away With Murder.
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