Movie Review
Movie reviews for mainstream and independent films written by film critics who analysis substantive cinema narratives with delightful prose.
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Film Review: SLASH/BACK: Teen Alien Invasion Movie is Flat Out Awesome Despite Minor Technical Flaws [SXSW 2022]
Slash/Back Review Slash/Back (2022) Film Review from the 29th Annual South by Southwest Film Festival, a movie directed by Nyla…
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Film Review: NIKA: A Poetic Prodigy’s Final Days Turned Into Competently Commonplace Drama [SXSW 2022]
Nika Review Nika (2022) Film Review from the 29th Annual South By Southwest Film Festival, a movie directed by Vasilisa Kuzmina, starring…
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Film Review: ME LITTLE ME: A Thoughtful Drama About a Woman’s Day-to-Day Struggles [SXSW 2022]
Me Little Me Review Me Little Me (2022) Film Review from the 29th Annual South by Southwest Film Festival, a…
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Film Review: THE PRANK: A Predictable Teen Horror-Comedy With Some Campy Charm [SXSW 2022]
The Prank Review The Prank (2022) Film Review from the 29th Annual South By Southwest Film Festival, a movie directed by Maureen…
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Film Review: WE ARE NOT GHOULS: A Powerful Documentary About a Long Fight for Justice [SXSW 2022]
We Are Not Ghouls Review We Are Not Ghouls (2022) Film Review from the 29th Annual South by Southwest Film…
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Film Review: MILLIE LIES LOW: Story Ending Goes Flat After Karma Goes Haywire [SXSW 2022]
Millie Lies Low Review Millie Lies Low (2021) Film Review from the 29th Annual South by Southwest Film Festival, a…
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Film Review: DIAMOND HANDS: THE LEGEND OF WALLSTREETBETS: A Raucous Report on Pandemic-Era Economic Malaise [SXSW 2022]
Diamond Hands: The Legend of WallStreetBets Review Diamond Hands: The Legend of WallStreetBets (2022) Film Review from the 29th Annual South By…
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Film Review: SPIN ME ROUND: Good Actresses Get Caught Up in a Meandering Plot [SXSW 2022]
Spin Me Round Review Spin Me Round (2022) Film Review from the 29th Annual South by Southwest Film Festival, a…
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Film Review: THE COW: Fine Update on Traditional Mad Scientist Trope [SXSW 2022]
The Cow Review The Cow (2021) Film Review, from the 29th Annual South by Southwest Film Festival, a movie directed…
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Film Review: BITCH ASS: Old School Horror Returns to the Screen in a Routine Fashion [SXSW 2022]
Bitch Ass Review Bitch Ass (2022) Film Review from the 29th Annual South by Southwest Film Festival, a movie directed…
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Film Review: EMERGENCY: Sharp College Buddy Movie Demands Viewer Attention [SXSW 2022]
Emergency Review Emergency (2022) Film Review from the 29th Annual South by Southwest Film Festival, a movie directed by Carey…
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Film Review: LINOLEUM: Surreal Symbolism Delivers More on Feeling than Logic [SXSW 2022]
Linoleum Review Linoleum (2022): Film Review, from the 29th Annual South by Southwest Film Festival, a movie written and directed…
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Film Review: THE BLIND MAN WHO DID NOT WANT TO SEE TITANIC: An Striking Experiment Steadfast in Its Emotional Core [SXSW 2022]
The Blind Man Who Did Not Want to See Titanic Review The Blind Man Who Did Not Want to See…
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Film Review: TO LESLIE: Andrea Riseborough is Terrific in a Somber Character Study [SXSW 2022]
To Leslie Review To Leslie (2022) Film Review from the 29th Annual South by Southwest Film Festival, a movie directed…
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Film Review: FACING RYAN: Affectionate Retrospective of the Patriarch and the Legend [SXSW 2022]
Facing Ryan Review Facing Ryan (2022) Film Review, from the 29th Annual South by Southwest Film Festival, a movie directed…
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Film Review: THE CELLAR: Elisha Cuthbert Stars in an Oddly Unusual Haunted House Movie [SXSW 2022]
The Cellar Review The Cellar (2022) Film Review from the 29th Annual South by Southwest Film Festival, a movie written…
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Film Review: SOFT & QUIET: Bone-Chilling Film Has a Terrific Start but Shaky Ending [SXSW 2022]
Soft & Quiet Review Soft & Quiet (2022) Film Review from the 29th Annual South by Southwest Film Festival, a…
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Film Review: I LOVE MY DAD: Entertaining Dramedy is One of the Year’s Best Films [SXSW 2022]
I Love My Dad Review I Love My Dad (2022) Film Review from the 29th Annual South by Southwest Film…
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