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Box Office – February 16-18, 2024: BOB MARLEY: ONE LOVE, MADAME WEB, ARGYLLE, & More

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Box Office February 16-18, 2024

The theatrical movie box office results for February 16, 2024 through February 18, 2024 have been released.

The Box Office

Bob Marley: One Love premiered in the Number One spot at the United States box office over the weekend with $27.7 Million.

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Madame Web premiered in Second Place at the United States box office over the weekend with $15.1 Million.

Argylle was Third at the United States box office over the weekend with $4.7 Million (a 24% decrease from last weekend).

Migration was Fourth at the United States box office with $3.7 Million (a 28% increase from last weekend) for $114.8 Million so far. Worldwide, the film has made $254.8 Million.

The Chosen: Season 4 Episodes 4-6 was Fifth at the United States box office over the weekend with $3.4 Million (a 16% decrease from last weekend) for $3.4 Million so far.

These films: Wonka, The Beekeeper, Anyone But You, Lisa Frankenstein, and Land of Bad (which premiered this weekend) rounded out the top ten respectively.

Movies That Opened This Weekend

The films in the Top Ten that opened this weekend at the box office:

Bob Marley: One Love is a 2024 American biographical musical drama film directed by Reinaldo Marcus Green, who co-wrote the screenplay with Terence Winter, Frank E. Flowers, and Zach Baylin. It is based on the life of reggae singer and songwriter Bob Marley, from his rise to fame in the mid-1970s up until his death in 1981. The film stars Kingsley Ben-Adir as Marley, alongside Lashana Lynch as Rita Marley, and James Norton as Chris Blackwell.

Madame Web is a 2024 American superhero film based on Marvel Comics featuring the character of the same name. Produced by Columbia Pictures and Di Bonaventura Pictures in association with Marvel Entertainment and TSG Entertainment, and distributed by Sony Pictures Releasing, it is the fourth film in Sony’s Spider-Man Universe (SSU). The film was directed by S. J. Clarkson from a screenplay she co-wrote with Claire Parker and the writing team of Matt Sazama and Burk Sharpless. It stars Dakota Johnson in the title role, alongside Sydney Sweeney, Celeste O’Connor, Isabela Merced, Tahar Rahim, Mike Epps, Emma Roberts, and Adam Scott. In the film, Cassie Webb (Johnson) confronts her past while trying to save three young women and their futures from Ezekiel Sims (Rahim).

The Chosen is an American historical drama television series created, directed and co-written by American filmmaker Dallas Jenkins. It is the first multiseason series about the life and ministry of Jesus of Nazareth. Primarily set in Judaea and Galilee in the 1st century, the series centers on Jesus and the different people who met and followed or otherwise interacted with him. The series stars Jonathan Roumie as Jesus, alongside Shahar Isaac, Elizabeth Tabish, Paras Patel, Noah James, and George H. Xanthis.

Land of Bad is a 2024 American action thriller film directed by William Eubank, who co-wrote the script with David Frigerio. The film stars Liam Hemsworth, Russell Crowe, Luke Hemsworth, Ricky Whittle, and Milo Ventimiglia.

Next Week’s Films

Next week sees the release of Demon Slayer: Kimetsu no Yaiba—To the Hashira Training, Drive-Away Dolls, Ordinary Angels, and a plethora of other films. Find my predictions on this releases in the weekly The Bottom Line column. A preview: Bob Marley: One Love will be the Number One film at the box office for the second week in a row.

The History of Box Office (and Profit Measurement)

“A box office or ticket office is a place where tickets are sold to the public for admission to an event. Patrons may perform the transaction at a countertop, through a hole in a wall or window, or at a wicket.

By extension, the term is frequently used, especially in the context of the film industry, as a metonym for the amount of business a particular production, such as a film or theatre show, receives. The term is also used to refer to a ticket office at an arena or a stadium.

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Box office business can be measured in the terms of the number of tickets sold or the amount of money raised by ticket sales (revenue). The projection and analysis of these earnings is greatly important for the creative industries and often a source of interest for fans. This is predominant in the Hollywood movie industry.

To determine if a movie made a profit, it is not correct to directly compare the box office gross with the production budget, because the movie theater keeps nearly half of the gross on average. The split varies from movie to movie, and the percentage for the distributor is generally higher in early weeks.

Usually the distributor gets a percentage of the revenue after first deducting a “house allowance” or “house nut”. It is also common that the distributor gets either a percentage of the gross revenue, or a higher percentage of the revenue after deducting the nut, whichever is larger. The distributor’s share of the box office gross is often referred to as the “distributor rentals”, especially for box office reporting of older films.”

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Rollo Tomasi

Rollo Tomasi is a Connecticut-based film critic, TV show critic, news, and editorial writer. He will have a MFA in Creative Writing from Columbia University in 2025. Rollo has written over 700 film, TV show, short film, Blu-ray, and 4K-Ultra reviews. His reviews are published in IMDb's External Reviews and in Google News. Previously you could find his work at Empire Movies, Blogcritics, and AltFilmGuide. Now you can find his work at FilmBook.
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