HANDLING THE UNDEAD (2024) Movie Trailer: Renate Reinsve Endures the Recently Dead Returning Home in Neon’s Horror Film

Handling the Undead Trailer

Thea Hvistendahl‘s Handling the Undead / Håndtering av udøde (2024) movie trailer has been released by Neon. The Handling the Undead trailer stars Renate Reinsve, Bjørn Sundquist, Bente Børsum, Anders Danielsen Lie, Bahar Pars, and Inesa Dauksta.

Crew

John Ajvide Lindqvist and Thea Hvistendahl wrote the screenplay for Handling the Undead. “Produced by Kristin Emblem and Guri Neby.”

Plot Synopsis

Handling the Undead (2023)’s plot synopsis: adapted from the book of the same name by John Ajvide Lindqvist, “Reuniting Renate Reinsve and Anders Danielsen Lie (The Worst Person in the World), Handling the Undead is a visually expansive experience, full of arresting images and subtle performances that collapse the space between the living and the dead.

Director Thea Hvistendahl’s steady directorial hand leaves her characters room to breathe, to mediate moral gray area, letting the minutiae of grief lead them as they feel their way through an extraordinary circumstance.

Hvistendahl’s interpretation of Lindqvist’s novel addresses daunting questions about the body, the soul, loss, and moving on, pushing viewers to get to the root of reanimation: What would you do, and how would you feel, if someone you loved returned?”

More on the plot of the film:

“Something very peculiar is happening in Stockholm. There’s a heatwave on and people cannot turn their lights out or switch their appliances off. Then the terrible news breaks. In the city morgue, the dead are waking up…What do they want? What everybody wants: to come home.”

On Movie Trailers

“A trailer (also known as a preview or attraction video) is a commercial advertisement, originally for a feature film that is going to be exhibited in the future at a movie theater/cinema. It is a product of creative and technical work…Trailers consist of a series of selected shots from the film being advertised.

Since the purpose of [this advertisement] is to attract an audience to the film, these excerpts are usually drawn from the most exciting, funny, or otherwise noteworthy parts of the film but in abbreviated form and usually without producing spoilers.

For this purpose the scenes are not necessarily in the order in which they appear in the film. [This type of ad] has to achieve that in less than 2 minutes and 30 seconds, the maximum length allowed by the MPA. Each studio or distributor is allowed to exceed this time limit once a year, if they feel it is necessary for a particular film.

In the United States there are dozens of companies, many of which are in Los Angeles and New York City, that specialize in the creation of film trailers. The trailer may be created at agencies (such as The Cimarron Group, MOJO, The Ant Farm, Ben Cain, Aspect Ratio, Flyer Entertainment, Trailer Park, Buddha Jones) while the film itself is being cut together at the studio.

Since the edited film does not exist at this point, the trailer editors work from rushes or dailies. Thus, the trailer may contain footage that is not in the final movie, or the trailer editor and the film editor may use different takes of a particular shot. Another common technique is including music on the trailer which does not appear on the movie’s soundtrack.

This is nearly always a requirement, as trailers and teasers are created long before the composer has even been hired for the film score—sometimes as much as a year ahead of the movie’s release date—while composers are usually the last creative people to work on the film

Trailers tell the story of a film in a highly condensed fashion to have maximum appeal. In the decades since film marketing has become a large industry, trailers have become highly polished pieces of advertising, able to present even poor movies in an attractive light.

The key ambition in trailer-making is to impart an intriguing story that gets film audiences emotionally involved.

Most trailers have a three-act structure similar to a feature-length film. They start with a beginning (act 1) that lays out the premise of the story. The middle (act 2) drives the story further and usually ends with a dramatic climax.

Act 3 usually features a strong piece of “signature music” (either a recognizable song or a powerful, sweeping orchestral piece). This last act often consists of a visual montage of powerful and emotional moments of the film and may also contain a cast run if there are noteworthy stars that could help sell the movie.”

The Feature Movie Trailer

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Handling the Undead will be released in U.S. theaters through Neon on in 2024. Want up-to-the-minute notifications? FilmBook staff members publish articles by Email, Google News, Feedly, Twitter, Facebook, Instagram, Tumblr, Pinterest, Reddit, Telegram, Mastodon, Flipboard, and Threads.

Handling the Undead (2024) Trailer