Box Office – October 10-12, 2025: TRON: ARES, ROOFMAN, ONE BATTLE AFTER ANOTHER, & More

Box Office October 10-12, 2025

The theatrical movie box office results for October 10, 2025 through October 12, 2025 have been released.

The Box Office

Tron: Ares premiered in the Number One spot at the United States box office over the weekend with $33.2 Million. Worldwide, the film has made $59.9 Million, on a production budget (not including marketing costs) of $180 Million.

Roofman premiered in the Number Two spot at the United States box office over the weekend with $8.1 Million. Worldwide, the film has made $8.2 Million, on a production budget (not including marketing costs) of $17-19 Million.

One Battle After Another was Third at the United States box office over the weekend with $6.8 Million (a 38% drop from last weekend) for $54.6 Million so far. Worldwide, the film has made $138.1 Million, on a production budget (not including marketing costs) of $130-175 Million.

Gabby’s Dollhouse: The Movie was Fourth at the United States box office over the weekend with $3.4 Million (a 35% drop from last weekend) for $26.5 Million so far. Worldwide, the film has made $46.3 Million, on a production budget (not including marketing costs) of $32 Million.

The Conjuring: Last Rites was Fifth at the United States box office with $3.1 Million (a 25% drop from last weekend) for $172.6 Million so far. Worldwide, the film has made $473.5 Million, on a production budget (not including marketing costs) of $55 Million.

These films: Soul on Fire, Demon Slayer: Kimetsu no Yaiba – Infinity Castle, The Smashing Machine, The Strangers: Chapter 2, and Good Boy rounded out the top ten respectively.

Movies That Opened This Weekend

The films in the Top Ten that opened this weekend at the box office:

Tron: Ares (stylized as TRON: Ares) is a 2025 American science fiction action film that is the third installment in the Tron series, following Tron: Legacy (2010). Directed by Joachim Rønning, it features an ensemble cast including Jared Leto, Greta Lee, Evan Peters, Jodie Turner-Smith, Hasan Minhaj, Arturo Castro, and Gillian Anderson, with Jeff Bridges reprising his role as Kevin Flynn from the previous films.

Roofman is a 2025 American crime comedy film starring Channing Tatum as the real-life spree robber Jeffrey Manchester who hid out in a toy store after escaping a prison and is loosely based on his life. It is directed by Derek Cianfrance. The film also stars Kirsten Dunst, Ben Mendelsohn, LaKeith Stanfield, Juno Temple, Melonie Diaz, Uzo Aduba, Lily Collias, Jimmy O. Yang, and Peter Dinklage.

Soul on Fire is a 2025 American biographical drama film about John O’Leary, a real-life St. Louis native who survived fire burns which covered his entire body. It is directed by Sean McNamara based on a screenplay by Gregory Poirier that adapted O’Leary’s book On Fire, The 7 Choices to Ignite a Radically Inspired Life. The film stars William H. Macy, John Corbett and Joel Courtney, the latter portraying O’Leary.

Next week sees the release of Black Phone 2, Good Fortune, Blue Moon, and a plethora of other films. Find my predictions on this releases in the weekly The Bottom Line column. A preview: Black Phone 2 will be the Number One film at the box office.

The History of Box Office (and Profit Measurement)

“A box office or ticket office is a place where tickets are sold to the public for admission to an event. Patrons may perform the transaction at a countertop, through a hole in a wall or window, or at a wicket.

By extension, the term is frequently used, especially in the context of the film industry, as a metonym for the amount of business a particular production, such as a film or theatre show, receives. The term is also used to refer to a ticket office at an arena or a stadium.

Box office business can be measured in the terms of the number of tickets sold or the amount of money raised by ticket sales (revenue). The projection and analysis of these earnings is greatly important for the creative industries and often a source of interest for fans. This is predominant in the Hollywood movie industry.

To determine if a movie made a profit, it is not correct to directly compare the box office gross with the production budget, because the movie theater keeps nearly half of the gross on average. The split varies from movie to movie, and the percentage for the distributor is generally higher in early weeks.

Usually the distributor gets a percentage of the revenue after first deducting a “house allowance” or “house nut”. It is also common that the distributor gets either a percentage of the gross revenue, or a higher percentage of the revenue after deducting the nut, whichever is larger. The distributor’s share of the box office gross is often referred to as the “distributor rentals”, especially for box office reporting of older films.”

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