Box Office – June 14-16, 2024: INSIDE OUT 2, BAD BOYS: RIDE OR DIE, KINGDOM OF THE PLANET OF THE APES, & MORE

Box Office June 14-16, 2024

The theatrical movie box office results for June 14, 2024 through June 16, 2024 have been released.

The Box Office

Inside Out 2 premiered in the Number One spot at the United States box office over the weekend with $155 Million. Worldwide, the film has made $296 Million.

Bad Boys: Ride or Die premiered in the Number One spot at the United States box office over the weekend with $33 Million (a 42% drop from last weekend). Worldwide, the film has made $214.5 Million.

Kingdom of the Planet of the Apes was Third at the United States box office over the weekend with $5.4 Million (a 4% drop from last weekend) for $149.7 Million so far. Worldwide, the film has made $359.7 Million. Kingdom of the Planet of the Apes moved up two places, from fifth to third, between last weekend and this weekend and has been in theaters for six weeks.

The Garfield Movie was Fourth at the United States box office over the weekend with $5 Million (a 50% drop from last weekend).

The Watchers was Fifth at the United States box office over the weekend with $3.5 Million (a 50% drop from last weekend).

These films: IF, Furiosa: A Mad Max Saga, The Fall Guy, The Strangers: Chapter 1, and The Lord of the Rings: The Fellowship of the Ring rounded out the top ten respectively.

Movies That Opened This Weekend

The films in the Top Ten that opened this weekend at the box office:

Inside Out 2 is a 2024 American animated coming-of-age film produced by Pixar Animation Studios for Walt Disney Pictures. The sequel to Inside Out (2015), it was directed by Kelsey Mann (in his feature directorial debut) and produced by Mark Nielsen, from a screenplay written by Meg LeFauve and Dave Holstein, and a story conceived by Mann and LeFauve. The film stars Amy Poehler, Phyllis Smith, Lewis Black, Diane Lane, and Kyle MacLachlan reprising their roles from the first film with Tony Hale, Liza Lapira, Maya Hawke, Ayo Edebiri, Adèle Exarchopoulos, Paul Walter Hauser, and Kensington Tallman joining the cast. It tells the story of Riley’s emotions as they find themselves joined by new emotions that want to take over Riley’s head.

Next Week’s Films

Next week sees the release of The Bikeriders, The Exorcism, and a plethora of other films. Find my predictions on this releases in the weekly The Bottom Line column. A preview: Inside Out 2 will be the Number One film at the box office for a second week in a row.

The History of Box Office (and Profit Measurement)

“A box office or ticket office is a place where tickets are sold to the public for admission to an event. Patrons may perform the transaction at a countertop, through a hole in a wall or window, or at a wicket.

By extension, the term is frequently used, especially in the context of the film industry, as a metonym for the amount of business a particular production, such as a film or theatre show, receives. The term is also used to refer to a ticket office at an arena or a stadium.

Box office business can be measured in the terms of the number of tickets sold or the amount of money raised by ticket sales (revenue). The projection and analysis of these earnings is greatly important for the creative industries and often a source of interest for fans. This is predominant in the Hollywood movie industry.

To determine if a movie made a profit, it is not correct to directly compare the box office gross with the production budget, because the movie theater keeps nearly half of the gross on average. The split varies from movie to movie, and the percentage for the distributor is generally higher in early weeks.

Usually the distributor gets a percentage of the revenue after first deducting a “house allowance” or “house nut”. It is also common that the distributor gets either a percentage of the gross revenue, or a higher percentage of the revenue after deducting the nut, whichever is larger. The distributor’s share of the box office gross is often referred to as the “distributor rentals”, especially for box office reporting of older films.”

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