Box Office – November 14-16, 2025: NOW YOU SEE ME: NOW YOU DON’T, THE RUNNING MAN, PREDATOR: BADLANDS, & More

Box Office November 14-16, 2025

The theatrical movie box office results for November 14, 2025 through November 16, 2025 have been released.

The Box Office

Now You See Me: Now You Don’t premiered in the Number One spot at the United States box office over the weekend with $21.3 Million. Worldwide, the film has made $40.5 Million, on a production budget (not including marketing costs) of $90 Million.

The Running Man premiered in the Second Place at the United States box office over the weekend with $17 Million. Worldwide, the film has made $28.2 Million, on a production budget (not including marketing costs) of $110 Million.

Predator: Badlands was Third at the United States box office over the weekend with $13 Million (a 67.5% drop from last weekend) for $66.3 Million so far. Worldwide, the film has made $136.6 Million, on a production budget (not including marketing costs) of $105 Million.

Regretting You was Fourth at the United States box office over the weekend with $4 Million (a 39.9% drop from last weekend) for $44.9 Million so far. Worldwide, the film has made $82.4 Million, on a production budget (not including marketing costs) of $30 Million.

Black Phone 2 was Fifth at the United States box office over the weekend with $2.6 Million (a 49% drop from last weekend) for $74.6 Million so far. Worldwide, the film has made $127.7 Million, on a production budget (not including marketing costs) of $30 Million.

These films: Nuremberg, Keeper, Sarah’s Oil, Chainsaw Man — The Movie: Reze Arc, and Bugonia rounded out the top ten respectively.

Movies That Opened This Weekend

The films in the Top Ten that opened this weekend at the box office:

Now You See Me: Now You Don’t (also marketed as Now You See Me 3) is a 2025 American heist film directed by Ruben Fleischer from a screenplay by Michael Lesslie, the writing duo of Paul Wernick and Rhett Reese, and Seth Grahame-Smith, based on a story by Eric Warren Singer and Lesslie. The film is the sequel to Now You See Me 2 (2016) and the third installment in the Now You See Me film series. The cast includes Jesse Eisenberg, Woody Harrelson, Dave Franco, Isla Fisher, Lizzy Caplan, and Morgan Freeman returning from previous films joined by new cast members Justice Smith, Dominic Sessa, Ariana Greenblatt, and Rosamund Pike. This marks the first film in the franchise to not feature Michael Caine following his retirement.

The Running Man is a 2025 dystopian action thriller film produced and directed by Edgar Wright and written by Wright and Michael Bacall. It is the second adaptation of the 1982 novel by Stephen King, following the 1987 film. The cast includes Glen Powell as the titular character, William H. Macy, Lee Pace, Michael Cera, Emilia Jones, Daniel Ezra, Jayme Lawson, Sean Hayes, Colman Domingo, and Josh Brolin.

Next week sees the release of Wicked: For Good, Rental Family, Sisu: Road to Revenge, and a plethora of other films. Find my predictions on this releases in the weekly The Bottom Line column. A preview: Wicked: For Good will be the Number One film at the box office.

The History of Box Office (and Profit Measurement)

“A box office or ticket office is a place where tickets are sold to the public for admission to an event. Patrons may perform the transaction at a countertop, through a hole in a wall or window, or at a wicket.

By extension, the term is frequently used, especially in the context of the film industry, as a metonym for the amount of business a particular production, such as a film or theatre show, receives. The term is also used to refer to a ticket office at an arena or a stadium.

Box office business can be measured in the terms of the number of tickets sold or the amount of money raised by ticket sales (revenue). The projection and analysis of these earnings is greatly important for the creative industries and often a source of interest for fans. This is predominant in the Hollywood movie industry.

To determine if a movie made a profit, it is not correct to directly compare the box office gross with the production budget, because the movie theater keeps nearly half of the gross on average. The split varies from movie to movie, and the percentage for the distributor is generally higher in early weeks.

Usually the distributor gets a percentage of the revenue after first deducting a “house allowance” or “house nut”. It is also common that the distributor gets either a percentage of the gross revenue, or a higher percentage of the revenue after deducting the nut, whichever is larger. The distributor’s share of the box office gross is often referred to as the “distributor rentals”, especially for box office reporting of older films.”

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